John Jennings is a Professor of Media and Cultural Studies at the University of California at Riverside (UCR). Professor Jennings received his MA in Art Education in 1995 and the MFA in Studio with a focus on Graphic Design in 1997 from UIUC. He is an interdisciplinary scholar who examines the visual culture of race in various media forms including film, illustrated fiction, and comics and graphic novels. Jennings is also a curator, graphic novelist, editor, and design theorist whose research interests include the visual culture of Hip Hop, Afrofuturism and politics, Visual Literacy, Horror and the EthnoGothic, and Speculative Design and its applications to visual rhetoric.
Jennings is co-editor of the Eisner Award winning collection The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (Rutgers) and co-founder/organizer of The Schomburg Center’s Black Comic Book Festival in Harlem. He is co-founder and organizer of the MLK NorCal’s Black Comix Arts Festival in San Francisco and also SOL-CON: The Brown and Black Comix Expo at the Ohio State University. Jennings’ current projects include the graphic novel adaptation of Octavia Butler’s Kindred (with Damian Duffy), Tony Medina’s police brutality themed ghost story I Am Alphonso Jones (with Stacey Robinson), and his Hoodoo Noir graphic novella Blue Hand Mojo (Rosarium Publishing).
Jennings is also a Nasir Jones Hip Hop Studies Fellow at the Hutchins Center at Harvard University.